Skip to main content

My Way - The Best Of Frank Sinatra – Frank Sinatra



Year Released: 1997

Label: Reprise

Year Bought: 1999

It is a truth universally acknowledged that being a 14-year-old isn't easy. I decided to make it more difficult for myself by not only being one of only three kids in school to learn the trumpet, but by shunning most musical touchstones of the time in favour of older music. And it doesn't get more of a throwback than Sinatra.

This was 1999, so before Robbie Williams made his 'Swing When Your Winning' album and TV talent shows were stacked with kids doing Dean Martin impressions. I felt like an outlier. Indeed, I remember borrowing the money from a friend I was with in town the day I got this record, and when I gave her the money back she muttered to herself "I can't believe I lent someone money to buy a Frank Sinatra album."

Anyway, I loved this CD. Well, the first CD of the set.

The first disc is just stacked with classics. It kicks off with funeral favourite 'My Way', then goes on to 'Strangers In The Night' and then wedding party constant 'Theme From New York, New York'. 

You know all them, but as the disc goes on there's just banger after banger, all sung and played brilliantly.

There's a run of songs that are just phenomenal: 

My Kind Of Town

Fly Me To The Moon

I've Got You Under My Skin

The Best Is Yet To Come

It Was A Very Good Year

Come Fly With Me

Seriously, these are all fantastic. My favourite is 'I've Got You Under My Skin'. It builds up slowly, then you get this great brass solo and the whole band speeds up a bit and then Frank comes back in and the song builds and builds and then he truly unleashes that glorious voice as he battles against the trumpets and you don't even realise how loud it is until it all drops out. Stupendous. 

Other highlights on the record include a raucous live version of 'The Lady Is A Tramp' taken from a 1974 Madison Square Garden concert and a swinging 'What Now My Love'.

There's only two real missteps. Sinatra's version of 'Moon River' doesn't really land. The song needs lightness, but Old Blue Eyes delivers it with a punch. The final track on the CD, 'LA is my Lady', is god-awful. Don't ever mix Sinatra and synths

CD2, however, is pretty uninspiring. While it kicks off with a rousing version of 'Let's Face The Music And Dance', there's then a run of ballads which are very crooner-by-numbers. 

This side also shows Sinatra at his worst (besides that awful dalliance with synths). His interpretations of 'Yesterday' and 'Something' by The Beatles are forgettable, as are versions of Simon & Garfunkel's 'Mrs Robinson' and Stevie Wonder's 'You Are The Sunshine Of My Life'.

The best on CD2 is his interpretation of Sondheim's 'Send In The Clowns'. Sinatra nails it perfectly, bringing pathos and self-reflection to the song. Regrets? He's clearly had more than a few.

Other tracks worth checking out on CD2 are 'Bewitched' – where Sinatra lets rip that gorgeous baritone of his – 'In the Wee Small Hours Of The Morning', which is pure whiskey-in-a-glass at 2am, and 'Three Coins In The Fountain'.

This album - particularly CD1 - meant so much to me growing up. Musicality, romance, emotion. Listening back as I near 40, I not only get the same feelings from it as when I was a teenager, but new ones as well. How can 'It Was A Very Good Year' not provide a whole new resonance now I'm passed 35? 

Accept no imitations. 

8/10

Comments

Popular posts from this blog

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

The Best of David Bowie 1969/1974 – David Bowie

Year Released: 1997 Label: EMI Year Bought: 1999 My love of Bowie started as a wind up. There was a rumour round our school that one of the French teachers used to go out with Bowie, so as part of my ambition to be a cocky little shit I decided to try to sneak some Bowie song titles into our lessons. "I don't understand how this verb ch-ch-ch-changes, Miss" – that sort of thing. It turned out that not only had she dated him, she was still friends with him, and even had side-of-the-stage tickets when he played Glastonbury in 2000. She might still be the coolest person I've ever known. In my bid to learn some more Bowie tunes I dug out my mum's old vinyls and fell in love with 'Hunky Dory'. For Christmas 1999, my mum got me 2 CDs, this one, which covers 1969/74, and the next one which goes up to 1979.  That Christmas, I had them both on repeat as I played FIFA 2000 on the PC (which had a picture of pre-Judas Sol Campbell on the cover). This compilation reall...

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...