Skip to main content

The Best of David Bowie 1969/1974 – David Bowie


Year Released: 1997

Label: EMI

Year Bought: 1999

My love of Bowie started as a wind up. There was a rumour round our school that one of the French teachers used to go out with Bowie, so as part of my ambition to be a cocky little shit I decided to try to sneak some Bowie song titles into our lessons. "I don't understand how this verb ch-ch-ch-changes, Miss" – that sort of thing. It turned out that not only had she dated him, she was still friends with him, and even had side-of-the-stage tickets when he played Glastonbury in 2000. She might still be the coolest person I've ever known.

In my bid to learn some more Bowie tunes I dug out my mum's old vinyls and fell in love with 'Hunky Dory'. For Christmas 1999, my mum got me 2 CDs, this one, which covers 1969/74, and the next one which goes up to 1979. 

That Christmas, I had them both on repeat as I played FIFA 2000 on the PC (which had a picture of pre-Judas Sol Campbell on the cover).

This compilation really is fantastic. It's got most of the singles from the era on the record – including the original 'Prettiest Star' featuring Marc Bolan on guitar – plus some album tracks – 'Ziggy Stardust', 'The Man Who Sold The World' – and a B-side in the form of 'Velvet Goldmine'.

It flows brilliantly. The shift from 'Suffragette City' to 'Oh! You Pretty Things' works fantastically well, and putting the piano-led tracks of 'Life On Mars?' and 'Aladdin Sane' next to each other perfectly show how Bowie could flip from from musical hall to experimental by switching piano players (Rick Wakeman out, Mike Garson in).

The real joy of this record is Bowie's recording of 'All The Young Dudes'. It's mad that he gave the song to Mott The Hoople in early 1972, when he had been without a top 40 hit since Space Oddity three years earlier. I love his version. The way Mick Ronson makes his guitar sing as Bowie powers out 'My brother's back at home with his Beatles and his Stones, we never got it off on that revolution stuff' is just sublime.

Indeed, the presence of Ronson, and the rest of the Spiders from Mars, on much of these tracks really underline what a fantastic band Bowie had in the first part of the 70s. It all sounds so instinctive and melodic.

A glorious way in to the Bowie back catalogue.

10/10


Comments

Popular posts from this blog

Coming Up – Suede

  Year Released: 1996 Label: Nude Year Bought: 2011 I know lots of people love this album, and it has got some great songs on it, but I just can't love it. It's too trebly, too thin, too cold. It kicks off with 'Trash', which is an absolutely brilliant tune with fantastic lyrics. Brett is at his absolute best here, with talk of "nowhere towns" and "cellophane sounds", and being the "litter on the breeze". I love it. But, alas we go from one of Suede's best songs to one of their worst. 'Filmstar' feels incredibly lazy. The riff is nothing, and as for the lyrics:  Filmstar propping up the bar driving in a car it looks so easy Filmstar propping up the bar driving in a car tonight These are Noel Gallagher-on-an-incredibly-bad-day lyrics.  I hate the riff, I hate the chorus, I hate the lyrics. I hate how shiny it is. It's lazy ... which is the title of the next song. This tune sees the first use on the album of the "here the...

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...

The Very Best Of The Jam - The Jam

Year Released: 1997 Label: Polydor Year Bought: 1999 Kicking off with 'In The City' – which still sounds just as urgent as it did in 1977 – this collection brings together all of the The Jam's A-sides before Paul Weller broke up the band in 1982. I remember buying this CD in 1999 with money I had earned from my paper round, and I played it constantly. I knew every lyric, every bass fill from Bruce Foxton, every machine gun snare roll from Rick Buckler.  I was pretty into 70s punk as a teenager, but The Jam appealed more than most as they seemed to look beyond the nihilism.  "What's the point in saying destroy,  I want a new life for everywhere," sings Weller on 'All Around The World'. The Jam's early singles are pretty good, but all feel a bit derivative of 'In The City'. I t's not until you get to 'Down In The Tube Station At Midnight' that you realise this is a band – and a songwriter – that can deliver something truly special...