Skip to main content

The Roads Don't Love You - Gemma Hayes


Year Released: 2006

Label: Source

Year Bought: 2006

On the TV show 'Lost', there's a notion that the way to stop your brain from haemorrhaging because of time travel is to locate a 'constant' - someone in your life that you can go to at any point on your travels that will essentially ground your mind and enable you to get a grasp on reality.

Weirdly, Gemma Hayes is the musical equivalent of mine. I always seem to get her album or see her live at a transitional period of my life, and I always go back to her when I need to be grounded.

'The Roads Don't Love You' is her second album, following her from her Mercury Prize-nominated debut 'Night On My Side'.

Released in 2005, the record is more radio-friendly than her debut, not that that meant her tunes got any air time. For some reason, she's always been an underground artist with a cult following, despite having a beautiful voice, great songs and a very marketable image. (Apparently Louis Walsh once told her he could make her a star if she dated celebrities and let other people write her songs - thank god she said no.)

'The Roads Don't Love' is an acoustic rock album, and will be too gentle for some, but there are plenty of gorgeous melody lines in here. The chorus of 'Another For The Darkness' slips and slides around beautifully, while 'Something In My Way' has a great energy to it.

I listened to this album a lot while at university, so going back to it now was a real treat. Acoustic ballad 'Easy On The Eye' is still in regular rotation for me, but I had forgotten how much I loved a lot of the other tunes.

Lyrically, it's all very self-reflective, but I really connected with it at the time. 

Some of my favourites: 

You say you're unraveling

I haven't got the heart to watch you crying

One for the road and another for the darkness

I'll get you home and tomorrow you'll forget this

And...

Palest skin I throw

Myself in

Count me as your friend

You don't scare me

Man you got to know

I'll be here tomorrow

And...

Gotta meet you face to face

Convince you that I’m not so strange

Just happy sad

I’m broken down

But I’m upbeat when you come around

Listening back now, the album does feel a bit long. The piano ballad 'Helen' sucks a lot of energy out of it. The songs are great but the production isn't as good as on her first album. But I love it. I loved it then and I love it now.

If anything happens, Gemma Hayes will be my constant.

7/10

Comments

Popular posts from this blog

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

The Bends - Radiohead

Year Released: 1995 Label: Parlophone Year Bought: 2000 Some records I'm going back to for the first time in a while. Others, like 'The Bends', are still in my regular rotation. What to say about this album? The crashing piano chords of opening track 'Planet Telex' give an immediate indication that this is not the same band that made 'Pablo Honey'. The album is a quantum leap from that record, which – while it has its fans, including me – is by-and-large the sound of just another guitar band. 'The Bends' is different. From the slowing-down-time intro of the title track, to the how-high-can-you-go guitars on 'Just', the album constantly delights. 'Fake Plastic Trees' is a magisterial effort, while 'Black Star' contains one of the great opening lines:  "I get home from work and you're still standing in your dressing gown, well, what am I to do?" The recording process for this record was inspired by seeing Jeff Buck...

NME Awards 2004 - Various Artists

  Released: 2004 Label: NME When I bought: 2004 In ye olde days before streaming, and even YouTube, it wasn't possible to hear within a matter of moments pretty much every song ever released. Therefore, compilations like this by the NME actually had a degree of value. Take 'Paperbag Writer' by Radiohead, a b-side from 'There There', the lead single from 2003's Hail to the Thief. I bought the album but not the single, so I'd never heard this tune. It's a brilliant track, with its electronic shuffle beat and muffled vocals making it sound like a left over from Kid A, or the starting point for Thom Yorke's debut solo album which would be released the following year. Likewise, 'See You Soon' by Coldplay. A true delight from a 1999 EP, with delicate guitar playing, scarce production, and honest vocal delivery. It's a reminder that once upon a time Chris Martin et al were able to operate with that oft-neglected trait: restraint. As a snapshot o...