Skip to main content

Pointless Nostalgic – Jamie Cullum



Year Released: 2002

Label: Candid

Year Bought: Can't Remember

Jamie Cullum burst into the nation's consciousness with a performance on Parkinson in April 2003, a showing that was soon followed by the huge-selling album 'Twentysomething'.

It was 2002's 'Pointless Nostalgic' that put Cullum on Parky's radar, and shows the jazz singer and pianist beginning to hone the act that would make him such a breakthrough.

There's a host of standards here – 'In The Wee Small Hours of The Morning'. 'It Ain't Necessarily So', 'I Can't Get Started' – alongside a couple of originals and a cover of Radiohead's 'High And Dry'.

I remember that song being a big deal at the time for some reason. I think it was seen as rare merging of jazz and alt-rock. Cullum's version is not bad, and actually keeps it quite light and subdued without slipping into a dirge.

Cullum was just 23 when this was recorded, and perhaps it's his youth that means he lacks the gravity to really pull off the ballads.

His voice bounces around well on tunes like 'Too Close For Comfort', 'Well You Needn't' and 'You And The Night And The Music', but on 'In The Wee Small Hours of The Morning' you're left unconvinced, and it's the saxophone solo on 'A Time For Love' that stands out, not the vocals.

The two originals – 'Pointless Nostalgic' and 'I Want To Be A Popstar' – aren't up too much, and at 55 minutes the album is way too long.

Very much a work-in-progress record.

4/10



Comments

Popular posts from this blog

Coming Up – Suede

  Year Released: 1996 Label: Nude Year Bought: 2011 I know lots of people love this album, and it has got some great songs on it, but I just can't love it. It's too trebly, too thin, too cold. It kicks off with 'Trash', which is an absolutely brilliant tune with fantastic lyrics. Brett is at his absolute best here, with talk of "nowhere towns" and "cellophane sounds", and being the "litter on the breeze". I love it. But, alas we go from one of Suede's best songs to one of their worst. 'Filmstar' feels incredibly lazy. The riff is nothing, and as for the lyrics:  Filmstar propping up the bar driving in a car it looks so easy Filmstar propping up the bar driving in a car tonight These are Noel Gallagher-on-an-incredibly-bad-day lyrics.  I hate the riff, I hate the chorus, I hate the lyrics. I hate how shiny it is. It's lazy ... which is the title of the next song. This tune sees the first use on the album of the "here the...

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...

The Very Best Of The Jam - The Jam

Year Released: 1997 Label: Polydor Year Bought: 1999 Kicking off with 'In The City' – which still sounds just as urgent as it did in 1977 – this collection brings together all of the The Jam's A-sides before Paul Weller broke up the band in 1982. I remember buying this CD in 1999 with money I had earned from my paper round, and I played it constantly. I knew every lyric, every bass fill from Bruce Foxton, every machine gun snare roll from Rick Buckler.  I was pretty into 70s punk as a teenager, but The Jam appealed more than most as they seemed to look beyond the nihilism.  "What's the point in saying destroy,  I want a new life for everywhere," sings Weller on 'All Around The World'. The Jam's early singles are pretty good, but all feel a bit derivative of 'In The City'. I t's not until you get to 'Down In The Tube Station At Midnight' that you realise this is a band – and a songwriter – that can deliver something truly special...