Skip to main content

The Man Who - Travis


Year Released: 1999

Label: Independiente

Year Bought: 1999

'Twas the year before the new millennium, and all through the country, everyone just wanted to have a sit down and a cup tea. Britpop was over, inoffensive pop and pop artists were back dominating the charts, and Radiohead had gone missing.

In this vacuum, Travis - out of nowhere - became huge. The Man Who was the group's second album, coming two years after debut Good Feeling barely made a splash.

Trailed by two singles – 'Writing to Reach You' and 'Driftwood' – it was clear the group had moved to a more contemplative, acoustic direction.

'Why Does It Always Rain On Me?' was the big single, and propelled them to the A-List, while 'Turn' was a bit more U2, with a suitably arena-sized chorus.

I tried really hard to love Travis, but I just couldn't. To be honest, I was pretty annoyed that they were the biggest guitar band in 1999. I was 14 and really wanted a new Oasis to emerge. I'd loved the Britpop years but been far too young to actually get involved by going to gigs. Now the big band was Travis - not exactly a group to shake the culture of a small market town to its foundations.

I've not listened to this album for over 20 years, so I was looking forward to seeing if I now found it more interesting than I had as an angry teenager.

No.

It still drags. Yeah, the singles are great. But the rest of it is just bland. The hidden track is probably the best song other than the ones released, and I remember there was a really good B-side to 'Why Does It Always Rain On Me?' that was a bit more uptempo ('Village Man').

It's all very derivative of the Beatles, but not filtered through the Pistols and Stone Roses like Oasis did.

5/10

Comments

Popular posts from this blog

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...

Coming Up – Suede

  Year Released: 1996 Label: Nude Year Bought: 2011 I know lots of people love this album, and it has got some great songs on it, but I just can't love it. It's too trebly, too thin, too cold. It kicks off with 'Trash', which is an absolutely brilliant tune with fantastic lyrics. Brett is at his absolute best here, with talk of "nowhere towns" and "cellophane sounds", and being the "litter on the breeze". I love it. But, alas we go from one of Suede's best songs to one of their worst. 'Filmstar' feels incredibly lazy. The riff is nothing, and as for the lyrics:  Filmstar propping up the bar driving in a car it looks so easy Filmstar propping up the bar driving in a car tonight These are Noel Gallagher-on-an-incredibly-bad-day lyrics.  I hate the riff, I hate the chorus, I hate the lyrics. I hate how shiny it is. It's lazy ... which is the title of the next song. This tune sees the first use on the album of the "here the...

NME Awards 2004 - Various Artists

  Released: 2004 Label: NME When I bought: 2004 In ye olde days before streaming, and even YouTube, it wasn't possible to hear within a matter of moments pretty much every song ever released. Therefore, compilations like this by the NME actually had a degree of value. Take 'Paperbag Writer' by Radiohead, a b-side from 'There There', the lead single from 2003's Hail to the Thief. I bought the album but not the single, so I'd never heard this tune. It's a brilliant track, with its electronic shuffle beat and muffled vocals making it sound like a left over from Kid A, or the starting point for Thom Yorke's debut solo album which would be released the following year. Likewise, 'See You Soon' by Coldplay. A true delight from a 1999 EP, with delicate guitar playing, scarce production, and honest vocal delivery. It's a reminder that once upon a time Chris Martin et al were able to operate with that oft-neglected trait: restraint. As a snapshot o...