Skip to main content

The Man Who - Travis


Year Released: 1999

Label: Independiente

Year Bought: 1999

'Twas the year before the new millennium, and all through the country, everyone just wanted to have a sit down and a cup tea. Britpop was over, inoffensive pop and pop artists were back dominating the charts, and Radiohead had gone missing.

In this vacuum, Travis - out of nowhere - became huge. The Man Who was the group's second album, coming two years after debut Good Feeling barely made a splash.

Trailed by two singles – 'Writing to Reach You' and 'Driftwood' – it was clear the group had moved to a more contemplative, acoustic direction.

'Why Does It Always Rain On Me?' was the big single, and propelled them to the A-List, while 'Turn' was a bit more U2, with a suitably arena-sized chorus.

I tried really hard to love Travis, but I just couldn't. To be honest, I was pretty annoyed that they were the biggest guitar band in 1999. I was 14 and really wanted a new Oasis to emerge. I'd loved the Britpop years but been far too young to actually get involved by going to gigs. Now the big band was Travis - not exactly a group to shake the culture of a small market town to its foundations.

I've not listened to this album for over 20 years, so I was looking forward to seeing if I now found it more interesting than I had as an angry teenager.

No.

It still drags. Yeah, the singles are great. But the rest of it is just bland. The hidden track is probably the best song other than the ones released, and I remember there was a really good B-side to 'Why Does It Always Rain On Me?' that was a bit more uptempo ('Village Man').

It's all very derivative of the Beatles, but not filtered through the Pistols and Stone Roses like Oasis did.

5/10

Comments

Popular posts from this blog

Pointless Nostalgic – Jamie Cullum

Year Released: 2002 Label: Candid Year Bought: Can't Remember Jamie Cullum burst into the nation's consciousness with a performance on Parkinson in April 2003, a showing that was soon followed by the huge-selling album 'Twentysomething'. It was 2002's 'Pointless Nostalgic' that put Cullum on Parky's radar, and shows the jazz singer and pianist beginning to hone the act that would make him such a breakthrough. There's a host of standards here – 'In The Wee Small Hours of The Morning'. 'It Ain't Necessarily So', 'I Can't Get Started' – alongside a couple of originals and a cover of Radiohead's 'High And Dry'. I remember that song being a big deal at the time for some reason. I think it was seen as rare merging of jazz and alt-rock. Cullum's version is not bad, and actually keeps it quite light and subdued without slipping into a dirge. Cullum was just 23 when this was recorded, and perhaps it's his yo...

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

Ringleader Of The Tormentors – Morrissey

Year Released: 2006 Label: Sanctuary Year Bought: 2006 Released in 2006, 'Ringleader of the Tormentors' in many ways represents the apex of the Morrissey resurgence that began two years earlier with 'You Are The Quarry'.  Whereas that album peaked at number 2 in the album chart (although it did spawn 4 top ten singles), its successor gave Morrissey his first number 1 album since 1994's 'Vauxhall and I'. 'Ringleaders...' raised some eyebrows at the time as Morrissey sang explicitly about something he had previously made a virtue of not discussing. His sex life. "There are exploding kegs between my legs," he sings on 'Dear God Please Help Me' – a tune that swells and grows to a climax with strings written by Ennio Morricone. "Now I'm spreading your legs with mine in between," he later adds.  Perhaps this new found desire of the flesh was due to this album being recorded in Italy, and references to the country season the ...