Skip to main content

Reservoir Dogs - Various Artists


Year Released: 1992

Label: MCA

Year Bought: 2001

You know a film or TV soundtrack has done it's job when you can't hear the songs from it without thinking of a particular scene.

Reservoir Dogs delivered two such iconic moments, thanks to Quentin Tarantino's ear for matching the sublime with the ridiculous.

Is there anyone out there who doesn't wince a little when they hear 'Stuck In The Middle With You'?

Has there been a group of lads wearing suits since 1992 where one of them didn't start singing the opening bars of 'Little Green Bag'? 

The rest of the songs on this compilation are pretty much all spot on. 'I Gotcha' by Joe Tex is a brilliant slice of soul, Blue Swede's cover of 'Hooked On A Feeling' sounds as bonkers today as it did when it was released in 1973, while 'Fool For Love' is a yee-haw country song.

Bedlam's cover of Steppenwolf's 'Magic Carpet Ride' isn't particularly one for me, but even so, it still sounds huge.

The soundtrack has clips from the film, with US comedian Steven Wright's laconic radio DJ getting an outing alongside dialogue, such as the famous 'Madonna Speech'.

The only issue is the soundtrack only has 8 songs on. I'd have loved more.

7/10



Labels:

Comments

Post a Comment

Popular posts from this blog

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...
Post a Comment
Read more

Coming Up – Suede

  Year Released: 1996 Label: Nude Year Bought: 2011 I know lots of people love this album, and it has got some great songs on it, but I just can't love it. It's too trebly, too thin, too cold. It kicks off with 'Trash', which is an absolutely brilliant tune with fantastic lyrics. Brett is at his absolute best here, with talk of "nowhere towns" and "cellophane sounds", and being the "litter on the breeze". I love it. But, alas we go from one of Suede's best songs to one of their worst. 'Filmstar' feels incredibly lazy. The riff is nothing, and as for the lyrics:  Filmstar propping up the bar driving in a car it looks so easy Filmstar propping up the bar driving in a car tonight These are Noel Gallagher-on-an-incredibly-bad-day lyrics.  I hate the riff, I hate the chorus, I hate the lyrics. I hate how shiny it is. It's lazy ... which is the title of the next song. This tune sees the first use on the album of the "here the...
Post a Comment
Read more

NME Awards 2004 - Various Artists

  Released: 2004 Label: NME When I bought: 2004 In ye olde days before streaming, and even YouTube, it wasn't possible to hear within a matter of moments pretty much every song ever released. Therefore, compilations like this by the NME actually had a degree of value. Take 'Paperbag Writer' by Radiohead, a b-side from 'There There', the lead single from 2003's Hail to the Thief. I bought the album but not the single, so I'd never heard this tune. It's a brilliant track, with its electronic shuffle beat and muffled vocals making it sound like a left over from Kid A, or the starting point for Thom Yorke's debut solo album which would be released the following year. Likewise, 'See You Soon' by Coldplay. A true delight from a 1999 EP, with delicate guitar playing, scarce production, and honest vocal delivery. It's a reminder that once upon a time Chris Martin et al were able to operate with that oft-neglected trait: restraint. As a snapshot o...
Post a Comment
Read more