Skip to main content

All Mod Cons – The Jam



Year Released: 1978

Label: Polydor

Year Bought: Unsure

When I first started learning to play the guitar, my school mate Daniel took me under his wing and made me some cassettes with songs I had to know.

Daniel could already play the guitar, was good at football, and had a cool haircut. Therefore, I trusted his judgement.*

One cassette was filled with early Beatles stuff, and the other was songs by The Jam. Both blew my tiny mind. 

While I loved the melodies and musicianship of the Beatles, the Jam spoke to the angry young man persona I had fallen into as a teenager.

All Mod Cons, the Jam's third album in two years, is the moment Paul Weller really finds consistency with his songwriting.

The standout track is album closer, 'Down In The Tube Station At Midnight', which even nearly 40 years since its release sounds contemporary, with the protagonist being beaten up by men who "smell like pubs, and Wormwood Scrubs, and too many right-wing meetings".

There's gems all across the record. 'To Be Someone (Didn't We Have A Nice Time)' is a young Weller pretending to be an older Weller looking back on a lost career, 'Billy Hunt' has the singer in full spitting-out-lyrics-against-the-establishment mode ("If it's not you moaning, then it's someone else /Jumping down my throat, every chance you get"), and 'Mr. Clean' is a vignette of suburban life that Damon Albarn would later take and run with. 

There's some tender moments as well, because even geezers have feelings. 'English Rose' is now a standard, while 'It's Too Bad' bemoans the end of a relationship – complete with a nod to 'She Loves You' with the guitar part.

Throughout the record, Bruce Foxton wields his bass like a lead guitar, and I feel he never really got enough credit for his spot-on vocal harmonising that really gave the Jam an extra layer compared to many of their contemporaries.

This is not a perfect album, but it shows that Weller - who was just 20 when it was recorded and released - was on the path to becoming one of the best songwriters the country has ever produced.

7/10

*Daniel and I were in a band for a while. Him on lead guitar, me on vocals, and we covered 'Down In The Tube Station...'. We had a falling out about something. So it goes.


Comments

Popular posts from this blog

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

The Bends - Radiohead

Year Released: 1995 Label: Parlophone Year Bought: 2000 Some records I'm going back to for the first time in a while. Others, like 'The Bends', are still in my regular rotation. What to say about this album? The crashing piano chords of opening track 'Planet Telex' give an immediate indication that this is not the same band that made 'Pablo Honey'. The album is a quantum leap from that record, which – while it has its fans, including me – is by-and-large the sound of just another guitar band. 'The Bends' is different. From the slowing-down-time intro of the title track, to the how-high-can-you-go guitars on 'Just', the album constantly delights. 'Fake Plastic Trees' is a magisterial effort, while 'Black Star' contains one of the great opening lines:  "I get home from work and you're still standing in your dressing gown, well, what am I to do?" The recording process for this record was inspired by seeing Jeff Buck...

NME Awards 2004 - Various Artists

  Released: 2004 Label: NME When I bought: 2004 In ye olde days before streaming, and even YouTube, it wasn't possible to hear within a matter of moments pretty much every song ever released. Therefore, compilations like this by the NME actually had a degree of value. Take 'Paperbag Writer' by Radiohead, a b-side from 'There There', the lead single from 2003's Hail to the Thief. I bought the album but not the single, so I'd never heard this tune. It's a brilliant track, with its electronic shuffle beat and muffled vocals making it sound like a left over from Kid A, or the starting point for Thom Yorke's debut solo album which would be released the following year. Likewise, 'See You Soon' by Coldplay. A true delight from a 1999 EP, with delicate guitar playing, scarce production, and honest vocal delivery. It's a reminder that once upon a time Chris Martin et al were able to operate with that oft-neglected trait: restraint. As a snapshot o...