Skip to main content

Three Cheers For Sweet Revenge – My Chemical Romance


Year Released: 2004

Label: Reprise

Year Bought: 2012

Yes it's been a while but fear not, I am back on my odyssey to listen to all the records I own.

Today it's a hit of emo from one of the titans of the genre. 'Three Cheers For Sweet Revenge' is the second album by My Chemical Romance, and reached my ears when it was released via my younger sister, who was massively into all this.

Back in 2004 I acted all aloof about this whole genre, which seemed to me to be the aural equivalent of throwing a teenager tantrum after your mum had told you to clean your room. Yet there were some good tunes.

'I'm Not OK (I Promise)' was the big radio/video hit, and I did like it even back then — even if I kept that to myself.

I really got into MCR when they released the follow-up to this - 'The Black Parade' - but never got round to getting this album until 2012.

It kicks off with 'Helena', which is an absolutely rollocking, ridiculous, over-the-top start to an album. But this is a guy who gave 'Bat Out Of Hell' 10/10 so I'm all for it.

The album rushes on, and it's not until track 4, 'You Know What They Do To Guys Like Us In Prison' that it slows down a bit.

Aside from 'Helena' and 'I'm Not OK (I Promise)', the stand out tracks are 'Thank You For The Venom' – which has a killer chorus – and 'Interlude', where Gerard Way actually sounds a bit like Thom Yorke.

The rest of the album doesn't do it for me. It's just all a bit lazy. The production is horrible except on the tracks I've mentioned. It's just too dense.

'It's Not A Fashion Statement, It's A Deathwish' is a prime example. There's a great tune in there somewhere, but the vocal delivery is all too breathless and the drumming overpowers everything. It's like the band is at war with itself. 

When the band aren't sure what to do they just drop out a bit then drop back in. 'Cemetery Drive' is another case in point. It has interesting verses, but then it's back to the 'Press In Case Of A Chorus' button on the sound desk.

5/10

Comments

Popular posts from this blog

Pointless Nostalgic – Jamie Cullum

Year Released: 2002 Label: Candid Year Bought: Can't Remember Jamie Cullum burst into the nation's consciousness with a performance on Parkinson in April 2003, a showing that was soon followed by the huge-selling album 'Twentysomething'. It was 2002's 'Pointless Nostalgic' that put Cullum on Parky's radar, and shows the jazz singer and pianist beginning to hone the act that would make him such a breakthrough. There's a host of standards here – 'In The Wee Small Hours of The Morning'. 'It Ain't Necessarily So', 'I Can't Get Started' – alongside a couple of originals and a cover of Radiohead's 'High And Dry'. I remember that song being a big deal at the time for some reason. I think it was seen as rare merging of jazz and alt-rock. Cullum's version is not bad, and actually keeps it quite light and subdued without slipping into a dirge. Cullum was just 23 when this was recorded, and perhaps it's his yo...

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

Ringleader Of The Tormentors – Morrissey

Year Released: 2006 Label: Sanctuary Year Bought: 2006 Released in 2006, 'Ringleader of the Tormentors' in many ways represents the apex of the Morrissey resurgence that began two years earlier with 'You Are The Quarry'.  Whereas that album peaked at number 2 in the album chart (although it did spawn 4 top ten singles), its successor gave Morrissey his first number 1 album since 1994's 'Vauxhall and I'. 'Ringleaders...' raised some eyebrows at the time as Morrissey sang explicitly about something he had previously made a virtue of not discussing. His sex life. "There are exploding kegs between my legs," he sings on 'Dear God Please Help Me' – a tune that swells and grows to a climax with strings written by Ennio Morricone. "Now I'm spreading your legs with mine in between," he later adds.  Perhaps this new found desire of the flesh was due to this album being recorded in Italy, and references to the country season the ...