Skip to main content

Three Cheers For Sweet Revenge – My Chemical Romance


Year Released: 2004

Label: Reprise

Year Bought: 2012

Yes it's been a while but fear not, I am back on my odyssey to listen to all the records I own.

Today it's a hit of emo from one of the titans of the genre. 'Three Cheers For Sweet Revenge' is the second album by My Chemical Romance, and reached my ears when it was released via my younger sister, who was massively into all this.

Back in 2004 I acted all aloof about this whole genre, which seemed to me to be the aural equivalent of throwing a teenager tantrum after your mum had told you to clean your room. Yet there were some good tunes.

'I'm Not OK (I Promise)' was the big radio/video hit, and I did like it even back then — even if I kept that to myself.

I really got into MCR when they released the follow-up to this - 'The Black Parade' - but never got round to getting this album until 2012.

It kicks off with 'Helena', which is an absolutely rollocking, ridiculous, over-the-top start to an album. But this is a guy who gave 'Bat Out Of Hell' 10/10 so I'm all for it.

The album rushes on, and it's not until track 4, 'You Know What They Do To Guys Like Us In Prison' that it slows down a bit.

Aside from 'Helena' and 'I'm Not OK (I Promise)', the stand out tracks are 'Thank You For The Venom' – which has a killer chorus – and 'Interlude', where Gerard Way actually sounds a bit like Thom Yorke.

The rest of the album doesn't do it for me. It's just all a bit lazy. The production is horrible except on the tracks I've mentioned. It's just too dense.

'It's Not A Fashion Statement, It's A Deathwish' is a prime example. There's a great tune in there somewhere, but the vocal delivery is all too breathless and the drumming overpowers everything. It's like the band is at war with itself. 

When the band aren't sure what to do they just drop out a bit then drop back in. 'Cemetery Drive' is another case in point. It has interesting verses, but then it's back to the 'Press In Case Of A Chorus' button on the sound desk.

5/10

Comments

Popular posts from this blog

Pointless Nostalgic – Jamie Cullum

Year Released: 2002 Label: Candid Year Bought: Can't Remember Jamie Cullum burst into the nation's consciousness with a performance on Parkinson in April 2003, a showing that was soon followed by the huge-selling album 'Twentysomething'. It was 2002's 'Pointless Nostalgic' that put Cullum on Parky's radar, and shows the jazz singer and pianist beginning to hone the act that would make him such a breakthrough. There's a host of standards here – 'In The Wee Small Hours of The Morning'. 'It Ain't Necessarily So', 'I Can't Get Started' – alongside a couple of originals and a cover of Radiohead's 'High And Dry'. I remember that song being a big deal at the time for some reason. I think it was seen as rare merging of jazz and alt-rock. Cullum's version is not bad, and actually keeps it quite light and subdued without slipping into a dirge. Cullum was just 23 when this was recorded, and perhaps it's his yo...

Ringleader Of The Tormentors – Morrissey

Year Released: 2006 Label: Sanctuary Year Bought: 2006 Released in 2006, 'Ringleader of the Tormentors' in many ways represents the apex of the Morrissey resurgence that began two years earlier with 'You Are The Quarry'.  Whereas that album peaked at number 2 in the album chart (although it did spawn 4 top ten singles), its successor gave Morrissey his first number 1 album since 1994's 'Vauxhall and I'. 'Ringleaders...' raised some eyebrows at the time as Morrissey sang explicitly about something he had previously made a virtue of not discussing. His sex life. "There are exploding kegs between my legs," he sings on 'Dear God Please Help Me' – a tune that swells and grows to a climax with strings written by Ennio Morricone. "Now I'm spreading your legs with mine in between," he later adds.  Perhaps this new found desire of the flesh was due to this album being recorded in Italy, and references to the country season the ...

The Best Of - James

Released: 1998 Label: Fontana When I bought: Can't remember James are one of the great under-appreciated UK bands. Sure, 'Sit Down' will pay their pension, but there's so many great tunes that have been swallowed up and forgotten. When people talk about the great UK bands of the 80s and 90s, they never get a nod. Early in the band's career saw an involvement with Factory Records, but they rarely get a mention when that label is talked about. I remember very clearly when this singles collection was released. It was one of the records that made up the soundtrack to my summer of 1998. I was 13 years old, and into two things: football and music.  At that age I used to spend most of my non-school time in a park at the end of the road I lived in in Bishop's Stortford, Hertfordshire, playing football with a bunch of lads about 3 or 4 years older who lived in the neighbourhood. They always had cool CDs, and one of them was this. Seemingly endless games of headers and vo...