Skip to main content

Marquee Moon – Television



Released: 1977

Label: Elektra

When I Bought: 2012

'So man,' he says, leaning back, pushing long, unkempt hair from his face, 'what's your favourite album of all time?'
The fucking nerve. I pretend to think for a moment, then say, 'Marquee Moon.' With a certain type of indie loser you cannot go wrong with Marquee Moon.
The clown nods and says, 'Cool'. 

- Kill Your Friends, John Niven.

Yep, Marquee Moon by Television. A cultural touchstone for an entire subculture. A post-punk album that managed to come out before the Sex Pistols' debut album. 

A record that bands have built - or tried to build - entire careers on. 

So why don't I get it? 

OK, I get it's technically good. Tom Verlaine knows his way around the guitar. The band are tight. It's got an energy to it.

But I just can't connect to it.

I tried when I got the album in 2012. I've tried a couple of times since. But there's just a gap. 

I should love it. It's got a guitar sound that loads of bands I love have stolen (looking at you, The Strokes). There's a Dylanesque delivery style in the vocal, which usually I'm on board with.

But I just can't get into. I do like it. But I don't love it.

Perhaps it's because this album needs to be heard in context, and I wasn't around in 1977.

Perhaps it's because it's influenced so many bands since that going back to the original feels in itself like a pastiche.

Also, all these claims of it being post punk... with a track that's almost ten minutes long? And another that's 7 minutes? That's pre-punk, that's prog!

If I were at CBGB in the mid-70s, I'd probably enjoy watching Television, but be wishing they'd hurry up so Blondie could smash out some tunes.

7/10


Comments

Popular posts from this blog

Franz Ferdinand – Franz Ferdinand

Year Released: 2004 Label: Domino Year Bought: 2004 January 2004. I'd just quit uni. Was back at the family home in Bishop's Stortford. The place I'd been so desperate to get away from, and I was back and already bored.  And then things got a bit less boring. I remember this so clearly. I was having a shower and the radio was on, and on came 'Take Me Out'. I couldn't believe what I was hearing. At first I thought it must be an old tune that had passed me by, but no, it was announced as a new song by a band called Franz Ferdinand. It sounded glorious. It sounded interesting. After the staleness of the post-Britpop years, and beigeness of Coldplay, Travis et al, there was actually a British band doing something interesting. I loved it, and when the album came out the next month, I gobbled it up with glee. Listening back now, and I still love it. The hushed opening of 'Jacqueline', the sleaze of 'The Dark of the Matinee', the homoeroticism of 'M...

The Best of David Bowie 1969/1974 – David Bowie

Year Released: 1997 Label: EMI Year Bought: 1999 My love of Bowie started as a wind up. There was a rumour round our school that one of the French teachers used to go out with Bowie, so as part of my ambition to be a cocky little shit I decided to try to sneak some Bowie song titles into our lessons. "I don't understand how this verb ch-ch-ch-changes, Miss" – that sort of thing. It turned out that not only had she dated him, she was still friends with him, and even had side-of-the-stage tickets when he played Glastonbury in 2000. She might still be the coolest person I've ever known. In my bid to learn some more Bowie tunes I dug out my mum's old vinyls and fell in love with 'Hunky Dory'. For Christmas 1999, my mum got me 2 CDs, this one, which covers 1969/74, and the next one which goes up to 1979.  That Christmas, I had them both on repeat as I played FIFA 2000 on the PC (which had a picture of pre-Judas Sol Campbell on the cover). This compilation reall...

Eye To The Telescope – KT Tunstall

Year Released: 2004 Label: Relentless Year Bought: No Idea I'm not sure why I have this record. I have no record of buying it. I've never listened to it. But then I do own two Dido albums so it's not exactly out of character of me to have it. I've always thought KT Tunstall was a pretty cool person. She's clearly talented. But this album, I just can't really connect with it. There's some good tunes on here. 'Black Horse and the Cherry Tree' is great, as is 'Suddenly I See'. 'Another Place To Fall' hints at some darker tones, and 'Under The Weather' builds nicely. But overall it's just all a bit safe. I vaguely remember reading an interview with Tunstall a few years after this came out in which she said the original mix was a lot more rough and bluesy, but the label wanted it more polished. You can definitely hear how this album could have been scuffed up. 'Stopping The Love' is a good example of that. It's a mi...